In 2019, a real-estate record was broken when hedge-fund manager Ken Griffin paid $238 million for an apartment at 220 Central Park South in New York – the most expensive residential sale in US history. That apartment was a penthouse: “The One Above All Else”.
For many, the penthouse is the pinnacle of property aspiration. With sweeping views and no neighbours but the birds, these airy summits are the real-estate world’s trophy buy. Considerable cachet comes with life at the top. For interior designer Michael S Smith, who was responsible for the makeover of Obama’s White House, his own penthouse is an absolute luxury: “In my imagination, it’s a classical late-18th-century pavilion – a sanctuary of pleasure and privacy.”
Adam Simmonds, director of super-prime sales at Savills in London, agrees. “You gain real exclusivity with a penthouse on top of a luxury development,” he says. “There’s no one around, you’re far from the street noise, you get masses of light – and all the best views. That’s why they’re at a premium.”
With more high-rise penthouses in Britain than ever, demand is increasing for interior designers with top-end experience. When Dara Huang, founder of Design Haus Liberty, takes on a penthouse, she asks specific questions of her clients: “How do you see yourself? How do you want to be in this penthouse? And do you like to entertain?” Her schemes focus on enjoyment of the space. “You can revel in the decadence of being the highest person for miles around.”